Detroit in the 70's was a city in musical decline. The great
ballrooms were
gone and no bands were getting signed to record contracts or getting local
radio airplay. The few local TV shows that featured Detroit bands were a
fading memory. Any band that wanted to play somewhere had to do five sets of
corporate mainstream rock. Sometimes, the bar owner even supplied a list of
required songs. Nobody but Bob Seger and Ted Nugent got any airplay at all.
It was in this environment that The Sillies decided to start their own
nightclub just to have somewhere to play in Detroit. Clubs like Max's Kansas
City and CBGB were successful, but Detroit had nothing like them. After a few
shows at theaters and colleges, The Sillies started looking for a bar that
would allow them to book the entertainment. After a couple of shows in a
closed-up bar in early 1978, they got the nod to start booking an old supper
club on McNichols just west of Woodward, which was a failing gay bar at the
time. Just before they were about to play there, Don Was (later of Was/Not
Was) and a partner made a deal with the owner to do a couple of shows at
Bookie's. The Sillies bided their time and came in March 17 and 18 along with
Coldcock and The Denizens. The weekend was so successful, the owner gave control
of the bar over to The Sillies. Every weekend after that, there were two or
three bands playing whatever they wanted. The Police did their first Midwest
show there, as did Ultravox, The Damned, John Cale (of The Velvet Underground),
Johnny Thunders (NY Dolls) & The Heartbreakers, and numerous other U.S. and
British bands unable to fill Cobo Hall or Masonic Auditorium and with no other
nightclub in Detroit doing rock concerts. "Local" bands such as The
Romantics, Sonic Rendezvous (with Scott Morgan and Fred Smith), Destroy All
Monsters (Ron Asheton of The Stooges and Mike Davis of The MC5), Wayne Kramer,
and The Sillies themselves made Bookie's their second home.
Local radio stations took note and began playing some of the
new Detroit
bands. National magazines like Life and Creem ran stories about the club.
Even David Bowie and his band came down after playing one of the big arenas, as
did Elvis Costello, Blondie, and other major stars. J. Geils Band did a surprise
performance at Bookie's one night after selling out Pine Knob for three
consecutive nights.
Eventually, success bred discontent. Other bars started imitating the
Bookie's format and splitting the audience. One Sillies member quit the band and
took over running the club for a year, then moved on. The building
eventually burned down in the late 80's, a shadow of it's former glory.
Nevertheless, the course of Detroit music history was changed and original
Detroit rock had places to be heard again, as Paycheck's, Lili's, Traxx, and
others carried on the torch Bookie's had lit.
A Bookie's 25th Anniversary show will be held at The Lager House on Friday,
March 14. The Sillies, Ann Arbor's Bitter Pills, and The Gutterpunx will play
along with a few planned surprise guests.
WWW.BOOKIESCLUB870.COM
is being created by Meg Geddes, who also created the SRA, Lili's, Mutants, and
Sonic Rendezvous websites and will soon be online. Detroit can be proud of its
musical heritage and celebrate its past while looking toward the future.
Ben Waugh